![]() And they’re easily identified when they wear their trademark Red Serge uniform that’s well known far and wide! With the uniform’s bold red military-style tunic, striped breeches, riding boots, and campaign hat, they have a style that’s instantly recognizable. Like, their most famous occupation of all! As in, we’re talking about the Canadian Mounties! The Royal Canadian Mounted Police have a long and storied tradition of serving the Northwest frontier of Canada. Of course, it’s the prosperous people of Canada who enjoy the most adoration and imitation, so when you’re choosing a Canadian costume, you’re probably drawn to one of the well-known occupations of Canadians. ![]() A mighty country indeed, both in its peoples and sheer geographic size, Canada is a country worth knowing a thing or two about! With confederation in 1867, Canada united the colonies into the Dominion of Canada and achieved self-governance. It later enjoyed time as a separate British colony until a union of the British Province of Canada in 1841 cemented their statehood. Woven into the history of the European colonization of North America, Canada was founded as a French colony in the 16 th century. Canadians have a great sense of humor like the rest of us, so let’s have some fun! Which is why, of course, you’ve probably got your mindset on choosing a Canadian costume! There are plenty of great costumes from this prosperous country, and themes that will let you have a little light-hearted Canadian fun. The land of the North and the tip toppers of North America, Canada is a country that’s well renowned around the world for their heartiness and unique cultural attributes. These staff members include Claudia Iannuccilli, Becky Fifield, Maryann Sadagopan, Elizabeth Hill, Allison Hewey, and Allison Sloan-Murphy.Ah, Canada. Finally, tremendous thanks are due to the many staff members who not only brought these projects to successful completion, but also enriched the initial designs with their collective knowledge and experience. The authors also thank Arthur Beale, former Chair of Conservation and Collections Management for his guidance, encouragement, and support of these efforts. Thanks are due to Meredith Montague, Head of the Textile Conservation at the Museum of Fine Arts, Boston, for leading this project from inception to completion. ![]() Many aspects of the prototype mount designs are not unique to the MFA, but built on the inventive work of others the authors extend appreciation and recognition to these people. Several individuals gave generously of their time and expertise in sharing their ideas including Chris Paulocik of the Costume Institute, Metropolitan Museum of Art, Nobuko Kajitani, Lucy Commoner of the Cooper Hewitt National Museum of Design, Glenn Peterson of the Fashion Institute of Technology, and Susan Heald of the National Museum of the American Indian. The authors would like to acknowledge the generous funding from the Institute for Museum and Library Services that made this project possible. Thompson is currently Associate Conservator in the Textile Conservation Lab at the Museum of Fine Arts, Boston. ![]() She has worked as Exhibits Conservator at the Field Museum of Natural History and as Textile and Objects Conservator at the Chicago Historical Society. Joel Thompson received her Masters in Art Conservation from the Art Conservation Department of the State University College at Buffalo in 2000. In 2006 she became Chief Preparator of Collections Management at the Harvard University Art Museums. Gausch joined the Museum of Fine Arts, Boston, in 1995 where she became Exhibition Preparation Collections Care Manager, Objects. Her experiences in fabricating mounting systems span an array of collections, from ancient to contemporary, fine and decorative arts. She has worked with private and corporate collections, among them the Smithsonian’s Cooper-Hewitt Museum and PepsiCo. Karen Gausch earned a BFA in fine art from Pratt Institute, Brooklyn, NY, in 1983 and has been working in the museum exhibition field for more than 20 years. Written by Karen Gausch and Joel Thompson.
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